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[Young]

That Stevie mess did slay me

[XXX.]

If she got on TV doing more high profile performances hitting notes like 3:04 in that "Be With You" performance, she would really shake things up.

I want her to have an era like Bruno Mars' current one.

Old school meets new school uptempos with big vocals, choreography & a live band.

Her bar should be to reach the Stevie Wonder Tribute every time.

[b7]

Ack-a!

ssddddd

[BAPHOMET.]

Honestly, I don't think her singing has regressed any. Her tone is just different now, not quite as dark and sultry.

Hmmmm.

I disagree.

I think her tone was very light and girly back then.

It's a lot darker and sultry now.

"Love Drought" is a good example I think.

!!!!

I prefer her tone a lot more now.  I just love how she played with harmonies and really gave you belts, runs & wails back in 2003.  Her live performances back then, as a SINGER, shit on everything she has done this decade. 

She really used to go for it.  Now, I think she feels the pressure to be "MICHAEL JACKSON!", so her focus is always on putting on a spectacle & doing choreography.  And I can't blame her, because expectations are always so high whenever she touches the stage.

Defiantly. But that Stevie Wonder tribute mess is where I saw it all come back.

She completely let loose vocally. Sweating and all. 

[Young]

Honestly, I don't think her singing has regressed any. Her tone is just different now, not quite as dark and sultry.

Hmmmm.

I disagree.

I think her tone was very light and girly back then.

It's a lot darker and sultry now.

"Love Drought" is a good example I think.

!!!!

I prefer her tone a lot more now.  I just love how she played with harmonies and really gave you belts, runs & wails back in 2003.  Her live performances back then, as a SINGER, shit on everything she has done this decade. 

She really used to go for it.  Now, I think she feels the pressure to be "MICHAEL JACKSON!", so her focus is always on putting on a spectacle & doing choreography.  And I can't blame her, because expectations are always so high whenever she touches the stage.

Defiantly. But that Stevie Wonder tribute mess is where I saw it all come back.

She completely let loose vocally. Sweating and all.

[BAPHOMET.]

Her bar should be to reach the Stevie Wonder Tribute every time.

vcvccvvcbb

I JUST said this in my post above 

[🦚]

Bey slayed Me Myself & I at the formation world tour ...giving all the mess y'all like.

[BAPHOMET.]

Shit... might as well post it.

[b7]

Yea she's set the bar so high performance wise, that I can understand why she can't really focus on the vocal aspect on stage

But in that studio ...  at least bring the harmonies and shit back. It's time

mmmmmmm. Those be the only good parts to her songs to me. The way Id wait for "texas bammaaaa" before I turn the station f

bbnnnnnnnnnnn and that mess on Grown woman, for me

Round like THA'

[BAPHOMET.]

Dont forget at the TIDAL thing

https://www.instagram.com/p/BLyziFvh-kY

[b7]

If she got on TV doing more high profile performances hitting notes like 3:04 in that "Be With You" performance, she would really shake things up.

I want her to have an era like Bruno Mars' current one.

Old school meets new school uptempos with big vocals, choreography & a live band.

Her bar should be to reach the Stevie Wonder Tribute every time.

omfff

Yea.  Waiting for a real singer to END Bruno a bit lolz

[🦚]

Holy grail & Resentment at the on the run tour >>>>

Basically bey NOW >>> bey last decade.

[b7]

Whew

The way I still stan sometimes lolz

[XXX.]

Honestly, I don't think her singing has regressed any. Her tone is just different now, not quite as dark and sultry.

Hmmmm.

I disagree.

I think her tone was very light and girly back then.

It's a lot darker and sultry now.

"Love Drought" is a good example I think.

!!!!

I prefer her tone a lot more now.  I just love how she played with harmonies and really gave you belts, runs & wails back in 2003.  Her live performances back then, as a SINGER, shit on everything she has done this decade. 

She really used to go for it.  Now, I think she feels the pressure to be "MICHAEL JACKSON!", so her focus is always on putting on a spectacle & doing choreography.  And I can't blame her, because expectations are always so high whenever she touches the stage.

Defiantly. But that Stevie Wonder tribute mess is where I saw it all come back.

She completely let loose vocally. Sweating and all.

My grandparents always throw shade at B, but they were stanning DOWN after that performance.  Musically, she isn't as universal as an Adele, but with performances like that, she could really reach more people.  I wish she would give that more.  I live for a 1-and-2, but I'm ready her to get back to The Beyonce Experience mess.  It was a big fusion of vocals, dance & live music.

She just felt raw.

[Young]

Shit... might as well post it.

BITCH!!!