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[FlowerBomb]

https://twitter.com/NewYorker/status/1065050263491420160

[BAPHOMET.]

this is reach and they know it

not the chair scene from "Video Phone" get the fuck real

[GLOCK]

Legend icon vet staple pioneer

The MOTHER

[MelMel]

Legend icon vet staple pioneer

The MOTHER

[FlowerBomb]

Legend icon vet staple pioneer

The MOTHER

[Navyman]

That Go Girl scene was a reach, sorry.

[BAPHOMET.]

[BAPHOMET.]

That Go Girl scene was a reach, sorry.

these dumb fucks  Janet fans are embarrassing   

[Vonc2002]

The originator

[Lazarus]

 

Such a good read.

The Miss You Much Chair Routine

Jackson?s dance moves influenced everyone from the Backstreet Boys to Tinashe.

Jackson?s pioneering integration of the visual and the musical wasn?t immediately recognized or appreciated by critics. In the eighties and early nineties, music journalists often considered too much spectacle a distraction, or evidence of something prefabricated and therefore inauthentic. ?Spontaneity has been ruled out,? Jon Pareles wrote of Jackson?s live show in 1990. ?Rockism,? as it later came to be known, valued songwriting and a particular kind of pained earnestness over practiced performance. As a young critic, I internalized these values so thoroughly that it took me years to unlearn them, to figure out how to trust pleasure and lightness and drama. Eventually, criticism in general remade itself, and writers now routinely acknowledge that there?s a distinct and sophisticated art to the extra-musical extravaganza. It is its own kind of genius. Today, almost every major pop star?Katy Perry, Taylor Swift, Nicki Minaj, Drake, Lorde?tours the way Jackson did, with massive, elaborately choreographed stage shows.

Jackson and her producers also foresaw, in a way, the deterioration of genre as anything other than a gesture.

[FlowerBomb]

The originator

the fucking female blueprint!

[FlowerBomb]

Such a good read.

The Miss You Much Chair Routine

Jackson?s dance moves influenced everyone from the Backstreet Boys to Tinashe.

Jackson?s pioneering integration of the visual and the musical wasn?t immediately recognized or appreciated by critics. In the eighties and early nineties, music journalists often considered too much spectacle a distraction, or evidence of something prefabricated and therefore inauthentic. ?Spontaneity has been ruled out,? Jon Pareles wrote of Jackson?s live show in 1990. ?Rockism,? as it later came to be known, valued songwriting and a particular kind of pained earnestness over practiced performance. As a young critic, I internalized these values so thoroughly that it took me years to unlearn them, to figure out how to trust pleasure and lightness and drama. Eventually, criticism in general remade itself, and writers now routinely acknowledge that there?s a distinct and sophisticated art to the extra-musical extravaganza. It is its own kind of genius. Today, almost every major pop star?Katy Perry, Taylor Swift, Nicki Minaj, Drake, Lorde?tours the way Jackson did, with massive, elaborately choreographed stage shows.

Jackson and her producers also foresaw, in a way, the deterioration of genre as anything other than a gesture.

[Vonc2002]

Such a good read.

The Miss You Much Chair Routine

Jackson?s dance moves influenced everyone from the Backstreet Boys to Tinashe.

Jackson?s pioneering integration of the visual and the musical wasn?t immediately recognized or appreciated by critics. In the eighties and early nineties, music journalists often considered too much spectacle a distraction, or evidence of something prefabricated and therefore inauthentic. ?Spontaneity has been ruled out,? Jon Pareles wrote of Jackson?s live show in 1990. ?Rockism,? as it later came to be known, valued songwriting and a particular kind of pained earnestness over practiced performance. As a young critic, I internalized these values so thoroughly that it took me years to unlearn them, to figure out how to trust pleasure and lightness and drama. Eventually, criticism in general remade itself, and writers now routinely acknowledge that there?s a distinct and sophisticated art to the extra-musical extravaganza. It is its own kind of genius. Today, almost every major pop star?Katy Perry, Taylor Swift, Nicki Minaj, Drake, Lorde?tours the way Jackson did, with massive, elaborately choreographed stage shows.

Jackson and her producers also foresaw, in a way, the deterioration of genre as anything other than a gesture.

[BAPHOMET.]

Such a good read.

The Miss You Much Chair Routine

Jackson?s dance moves influenced everyone from the Backstreet Boys to Tinashe.

Jackson?s pioneering integration of the visual and the musical wasn?t immediately recognized or appreciated by critics. In the eighties and early nineties, music journalists often considered too much spectacle a distraction, or evidence of something prefabricated and therefore inauthentic. ?Spontaneity has been ruled out,? Jon Pareles wrote of Jackson?s live show in 1990. ?Rockism,? as it later came to be known, valued songwriting and a particular kind of pained earnestness over practiced performance. As a young critic, I internalized these values so thoroughly that it took me years to unlearn them, to figure out how to trust pleasure and lightness and drama. Eventually, criticism in general remade itself, and writers now routinely acknowledge that there?s a distinct and sophisticated art to the extra-musical extravaganza. It is its own kind of genius. Today, almost every major pop star?Katy Perry, Taylor Swift, Nicki Minaj, Drake, Lorde?tours the way Jackson did, with massive, elaborately choreographed stage shows.

Jackson and her producers also foresaw, in a way, the deterioration of genre as anything other than a gesture.

[FlowerBomb]

dssaffsfs sor' baph did Janet SHIT in your cereal or something?
I don't even rush to hate Mariah or Bey like that