Quote from: imaan. on December 12, 2015, 08:56:03 PM
v
There's absolutely nothing experimental about Bey's music.
really? Did you not hear her last album?
Pretty Hurts was an epic, film soundtrack-themed banger
Haunted mixed trance music with TRAP music.
Drunk In Love was another infusion of trance/trap. & I still have no idea what instrument was used to introduce Jay's verse
Blow was a nod to 80's disco and delivered a bridge which could've acted as its own song (Cherry >>)
No Angel was a new-age BOP.
Partition gave us fashion runway-vibes coupled with a few key strings taken from a Las Vegas, Crazy Horse show.
Jealous was alternative R&B/Hip-Hop
Rocket sounded like a country, baby-makin slow jam record
Mine slayed for its simplicity in vocal arrangements and beat structure, unexpectedly creating a towering and hypnotizing WITCH chant
XO leaned more toward a more pop sound, sure, but the overall song feels like it takes place in an ethereal kingdom.
**Flawless was straight HOOD, TRAP genius. Another simple track that quietly carried a lot of power
Superpower was such a specific record with a crescendo that started from the beginning. The song's peak happened at the very end.
Heaven kept its momentum while repeating the same couple of lines the entire time. who else??!
&
Blue and all of the emotion she invoked on it simply floated a bitch up to the fckin stars
I mean, KII!
r u upset that Bey's last cd shat all over Bert's 2010-present discography?