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[KING BENTLEY.]

This is prolly the most wretched song I?ve ever attempted to listen to tbh

Very disappointed

[Nine]

ugh. spoke too soon.

[KING BENTLEY.]

#3 on iTunes!
it jumped from #30 to #3! crazy
it?s so going to #1

GOOD MORNING!!

s

oh no, not updates
yawl do know iTunes positions can be bought right?
it's a marketing 101

they weren't gonna let this trash just sit at the bottom where nobody sees it

[Mel.]

Oop!
just that fast it just went to #2

#1 coming in 3, 2....

[Mel.]

#3 on iTunes!
it jumped from #30 to #3! crazy
it?s so going to #1

GOOD MORNING!!

s

oh no, not updates
yawl do know iTunes positions can be bought right?
it's a marketing 101

they weren't gonna let this trash just sit at the bottom where nobody sees it

If that were the case
Justin definitely isn?t one of those artists that need to pay for iTunes postitions...

he?s not some newbie
He actually has a fanbase and for the most part the GP loves him

[Mel.]

Filthy

iTunes:
#1 Belarus
#2 United States
#2 Denmark
#5 Chile
#5 Finland
#5 Netherlands
#7 Argentina
#8 France
#8 Ireland
#8 Malaysia
#9 Belgium
#9 Hungary
#10 Germany
#10 Israel
#11 United Kingdom
#11 Kyrgyzstan
#11 South Africa
#12 Canada
#13 Turkey
#15 Spain
#16 Sweden
#17 Singapore
#19 Luxembourg
#20 Brazil
#20 Poland
#20 Russia
#21 Philippines
#22 Italy
#26 Indonesia
#27 Australia
#31 Austria
#33 Portugal
#33 Switzerland
#34 Norway
#36 New Zealand
#39 Mexico
#48 United Arab Emirates
#60 Thailand
#98 India
#177 Taiwan
#200 Hong Kong

[Mel.]

The Guardian gives ?Filthy? 5/5 stars

Beginning with some bombastic guitar rock, it transmogrifies into a beautifully dark, undulating funk track underpinned by a whiplash bass womp. This kind of wobbling bassline was made ludicrous by the American take on dubstep earlier in the decade, but here co-producers Timberlake, Timbaland and the latter?s protege Danja conspire to make it dangerous again. Alongside the blockbuster elements there are gorgeously subtle flourishes, like the fluttering intake of breath sitting low in the mix.

The maximalist ending of the track might not be to everyone?s tastes ? it boils a little of the taste out of the funk ? but is still handled with brio, and the song sounds like nothing else in the pop landscape right now. With its relatively experimental bent, Filthy may only get a 10th of the 737m streams Can?t Stop the Feeling! has got on Spotify ? but it?s riveting evidence that Timberlake can still be the R&B futurist he was at the outset of his solo career.

https://www.theguardian.com/culture/2018/jan/05/justin-timberlake-filthy-review?CMP=twt_gu

[Hatsumomo]

I like the video but not the song

[fedswatchin]

I like it
I can tell he really tried to re-carve the wheel a bit. But it slaps

[Lane Bryant Jumpsuit]

Its trying to be sexyback visits the 70s its late

[fedswatchin]

i cant get over how bad that video was. Like.... you know how a video can kinda SWAY you even if the song wasn't great??

That video took me from ok the song is alright to the song being awful. I honestly don't want to ever hear it again.

cccccfgvvvvvggvvvvvv

Well fck

[.betterwiseup]

Sounds like a Miguel song. It's ok.

[RAY7]

Usher #1 singles:
Nice & Slow
U Remind Me
U Got It Bad
Yeah
Burn
Confessions pt II
My Boo
Love In This Club
OMG

Justin:
Sexyback
My Love
What Goes Around
Trolls song

Timberland: Give It To Me ft Justin

Just something I ran across

[ya rock muh world.]

Oop!
just that fast it just went to #2

#1 coming in 3, 2....

skoo skoo! lolz

[LOONA.]

Miguel would've slayed this.