Out of the young 90s divas, who had LEAST impact? Update: Mya takes the lead

Started by fedswatchin, July 26, 2018, 04:35:39 PM

Previous topic - Next topic

0 Members and 1 Guest are viewing this topic.

Who was more WEAK and failed to impact the gorls?

Brandy
1 (2.1%)
Monica
14 (29.8%)
Aaliyah
2 (4.3%)
Mya
30 (63.8%)

Total Members Voted: 44

Young

Quote from: Saeed. on July 26, 2018, 05:07:55 PM
:kii: Really nigga? I was actuall being serious...  :uhh:

sssss

I?m very underwhelmed with her lack of artistry

But I don?t know if it was RCA keeping her as a local R&B act or what
So I don?t wanna drag too much until I hear this new era

I wanna hear what she?s been doing on her own without label politics

I know she?s creative ...I just really want her to push herself ...vocally As well


Nine


GRAND ETERNAL SUPREME


Young



fedswatchin

Monica >>>>>> Mya

She had a look, a sound and a personality that was distinctive. Mya NEVER did anything distinctively. Talented but boring.

She's like a member of the chorus

Sovereign.

Quote from: Young on July 26, 2018, 05:16:29 PM
Quote from: Saeed. on July 26, 2018, 05:07:55 PM
:kii: Really nigga? I was actuall being serious...  :uhh:

sssss

I?m very underwhelmed with her lack of artistry

But I don?t know if it was RCA keeping her as a local R&B act or what
So I don?t wanna drag too much until I hear this new era

I wanna hear what she?s been doing on her own without label politics

I know she?s creative ...I just really want her to push herself ...vocally As well

I do believe the label played a part, but I think accountability comes into play as well. Artists clash with labels all the time. I know Mya always had to fight for her creative voice whilst at Interscope and though not always executed with  precision, artists like her can definitely look back and say I fought to go in said direction because that was where my volition lied. I agree with you AND I will say there's a complacency with Monica creatively. "Code Red" was...cute, but sis...who is Monica the artist?

Lazarus

Quote from: Saeed. on July 26, 2018, 05:23:36 PM
Quote from: Young on July 26, 2018, 05:16:29 PM
Quote from: Saeed. on July 26, 2018, 05:07:55 PM
:kii: Really nigga? I was actuall being serious...  :uhh:

sssss

I?m very underwhelmed with her lack of artistry

But I don?t know if it was RCA keeping her as a local R&B act or what
So I don?t wanna drag too much until I hear this new era

I wanna hear what she?s been doing on her own without label politics

I know she?s creative ...I just really want her to push herself ...vocally As well

I do believe the label played a part, but I think accountability comes into play as well. Artists clash with labels all the time. I know Mya always had to fight for her creative voice whilst at Interscope and though not always executed with  precision, artists like her can definitely look back and say I fought to go in said direction because that was where my volition lied. I agree with you AND I will say there's a complacency with Monica creatively. "Code Red" was...cute, but sis...who is Monica the artist?

b


Did you watch her Sway's interview? She said her label welcome/encourage her creative input from the get go.

fedswatchin

Mya didn't even have a sound. And because she desperately wanted to prove how diverse of a dancer she was, she never focused on honing a specific type of dance genre that people could remenber her for. She really didn't even do shit

Opposites Attract.



It's unconditional, these days you know....

Sovereign.

Quote from: OwnIt on July 26, 2018, 05:23:12 PM
Monica >>>>>> Mya

She had a look, a sound and a personality that was distinctive. Mya NEVER did anything distinctively. Talented but boring.

She's like a member of the chorus

Idk about a sound. She could definitely SING and has the most down-to-earth personality, but Mya carved a lane for herself. '98 she literally became the girl who hopped on all the rappers hooks and was a part of some historical moments in culture i.e. Rugrats, Ghetto Superstar, Moulin Rouge, etc. Hip-Hop embraced Mya and she could kill an 8-count.

Sovereign.

Quote from: OwnIt on July 26, 2018, 05:26:04 PM
Mya didn't even have a sound. And because she desperately wanted to prove how diverse of a dancer she was, she never focused on honing a specific type of dance genre that people could remenber her for.

I hear this argument. Her vocabulary as a dance artist is so vast that it is a challenge for folks to pinpoint exactly her aesthetic and/or her appeal especially in Pop music. She's hit on every genre of dance with the exception of ballet and even then that's evident in the way she moves.

fedswatchin

Quote from: Saeed. on July 26, 2018, 05:27:35 PM
Quote from: OwnIt on July 26, 2018, 05:23:12 PM
Monica >>>>>> Mya

She had a look, a sound and a personality that was distinctive. Mya NEVER did anything distinctively. Talented but boring.

She's like a member of the chorus

Idk about a sound. She could definitely SING and has the most down-to-earth personality, but Mya carved a lane for herself. '98 she literally became the girl who hopped on all the rappers hooks and was a part of some historical moments in culture i.e. Rugrats, Ghetto Superstar, Moulin Rouge, etc. Hip-Hop embraced Mya and she could kill an 8-count.
the Rugrats theme song sis? Nobody even knew or cared that was Mya.

Moulin Rouge is her saving grace. Even with it, she comes up short to Monica's identifiable hood music and multiple #1s and Top 10 hits. Oh! & The Boy Is Mine

GRAND ETERNAL SUPREME

Quote from: OwnIt on July 26, 2018, 05:34:31 PM
Quote from: Saeed. on July 26, 2018, 05:27:35 PM
Quote from: OwnIt on July 26, 2018, 05:23:12 PM
Monica >>>>>> Mya

She had a look, a sound and a personality that was distinctive. Mya NEVER did anything distinctively. Talented but boring.

She's like a member of the chorus

Idk about a sound. She could definitely SING and has the most down-to-earth personality, but Mya carved a lane for herself. '98 she literally became the girl who hopped on all the rappers hooks and was a part of some historical moments in culture i.e. Rugrats, Ghetto Superstar, Moulin Rouge, etc. Hip-Hop embraced Mya and she could kill an 8-count.
the Rugrats theme song sis? Nobody even knew or cared that was Mya.

Moulin Rouge is her saving grace. Even with it, she comes up short to Monica's identifiable hood music and multiple #1s and Top 10 hits. Oh! & The Boy Is Mine

Fuck! You?re preaching in here LMAO!

Young

Quote from: Saeed. on July 26, 2018, 05:23:36 PM
Quote from: Young on July 26, 2018, 05:16:29 PM
Quote from: Saeed. on July 26, 2018, 05:07:55 PM
:kii: Really nigga? I was actuall being serious...  :uhh:

sssss

I?m very underwhelmed with her lack of artistry

But I don?t know if it was RCA keeping her as a local R&B act or what
So I don?t wanna drag too much until I hear this new era

I wanna hear what she?s been doing on her own without label politics

I know she?s creative ...I just really want her to push herself ...vocally As well

I do believe the label played a part, but I think accountability comes into play as well. Artists clash with labels all the time. I know Mya always had to fight for her creative voice whilst at Interscope and though not always executed with  precision, artists like her can definitely look back and say I fought to go in said direction because that was where my volition lied. I agree with you AND I will say there's a complacency with Monica creatively. "Code Red" was...cute, but sis...who is Monica the artist?


With Code Red she played with different sounds. But I agree I need a more signature sound from her .

I really want to see what she?s capable of away from RCA

There?s room for artistic growth big time with her


Sovereign.

We all knew that was Mya! :kii: She's the only female voice on the song. And I don't disagree. Monica is way more culturally impactful. But to deny Mya's contribution to Pop music and to contemporary dance would be neglectful.