Home

[Kaeli.]

Crazy how everyone a Solange fan now...when I've been riding with this girl since "Really Feelin' You" and
since Sol-Angle days when niggas was calling her Beyonce's sister outta disrespect

congrats

Ur so ahead of the curve and innovative

[Kaeli.]

Also yea I hate this 

ASATT > 

mill give this another listen in the future but..hun..

[Rxxf]

Yes!

[Gilgamesh.]

Who produced Stay Flo?

It's almsot giving me Tim/Aaliyah in parts.

[GLOCK]

This alber ain't good 

[Rxxf]

Who produced Stay Flo?

It's almsot giving me Tim/Aaliyah in parts.

[.betterwiseup]

well deserved!

 

[.betterwiseup]

Pitchfork name "Almeda" Best New Track

Just ask any elder of the black community: Black faith is unwavering. And yet, at a time when blackness is up for grabs by the masses, Solange reminds us that the ownership of black culture by black people can never die. It is for us, by us, forever with us.

On "Almeda," the stand-out track on the artist's fourth solo album When I Get Home, Solange draws heavily from the roots and traditions of her Southern black culture, specifically the influence of her hometown of Houston. Produced by Pharrell, frequent collaborator John Kirby, and Solange—and featuring a clever appearance by Playboi Carti—"Almeda" is a reinvented ode to the Houston-born chopped 'n' screwed genre.

Steady, trembling, synthetic percussion rattles underneath the track as Solange sings about the things which remain black-owned: black braids, black waves, and, especially, black skin. Others may imitate, but they can't claim what was never theirs. Repetition is used two-fold here, both in the traditional production style of "chopped 'n' screwed" and as a means of emphasis on her lyrics. She seems to imply: In case you forgot, let me remind you.

"Black faith still can't be washed away/Not even in that Florida Water," she states definitively. A unisex cologne water known for its spiritual properties to cleanse negative energy, purify, and calm, it is no match for the strength, the binding universal force of black culture. "Pour more drank, drank/ Sip, sip, sip, sip, sip," she repeats. We can continue celebrating, continue reveling in the power and beauty of ourselves.

https://pitchfork.com/reviews/tracks/solange-almeda/

[RAY7]

Who produced Stay Flo?

It's almsot giving me Tim/Aaliyah in parts.

Metro Boomin
this my favorite

[Stunna Gor’]

The album is so uninspired... it's like a mix of leftover Seat At The Table tracks with random snoozy hip hop lullabies.

I mildly liked a few tracks, but as a whole piece... it just feels so thrown together. I feel like she was trying to give a Thundercat kinda mess, but she couldn't quite DO...

and im so sick of these girls always poking and teasing knock. Either jump the fuck in or PUSH. It's late.

[GLOCK]

The album is so uninspired... it's like a mix of leftover Seat At The Table tracks with random snoozy hip hop lullabies.

I mildly liked a few tracks, but as a whole piece... it just feels so thrown together. I feel like she was trying to give a Thundercat kinda mess, but she couldn't quite DO...

and im so sick of these girls always poking and teasing knock. Either jump the fuck in or PUSH. It's late.

!!!!

[Ｂｏｏｍｚ]

This project sounds like just random hums, harmonies, raps and conversations thrown together
I'm sure the woke publications are gonna acclaim it

!!!


Djdjdhjd

The "black intellectuals" are goin uhp on Twitter, pretending like they hear something the rest of us can't and I'm just like...



Where is the lyrical content?

[FlowerBomb]

Only good about this is the pics

[Young]

This is a body of WORK

her mind >>>

[FlowerBomb]

n
nigger perfuckinglease!