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[Cartierline]

wow queen is so.. revered

[BranLover]

This gave me my entire life!!! Glad to see more ppl getting on board. Took them long enough lol.

[Chameleon]

I LOVE this!!!

[DraeDrizzl3]

 

[DraeDrizzl3]

Yes Rih. Stan tf out

[Vonc2002]

This bitch is iconic

[.betterwiseup]

Let them know!!!!!

[Nine]

I mean, she's the damn Kweens for a reason

[RekeRig]

9. In Rock & Folk magazine, former Red Hot Chili Peppers guitarist John Frusciante even credited Brandy?s vocals as his inspiration.
In Rock & Folk magazine, former Red Hot Chili Peppers guitarist John Frusciante even credited Brandy's vocals as his inspiration.

tf!

omfffff you should see what he said about her backgrounds and layers

I just love the songs that Timbaland did on this album. Again, being such a student of backing vocals... she's doing something different; she's doing so many vocals that there's never a space. Whenever one voice stops, another one does something in it's place - there's very little space and there are so many vocal parts that are breathy, you don't know what you're listening to. Ther's so much going on, you can't hear them with your conscious: you have to hear her voice with your subconscious. Even as a backup vocalist with a keen ear, I can't hear where one part's starting and one's ending because they're all overplaying all over the place. Some of them have a watery sound, then metallic; she really creates a lot of dimension with her vocals, and Timbaland's production does stuff that's very avant-garde, very abstract and yet, in this context of pop music, I'm impressed with that. Noise in a pop context is sucha beautiful thing to see.

[RekeRig]

This girl is just

[AIDS!]

Well who the FUCK else huh

[AIDS!]

Whew?

[AIDS!]

Who else?

[yummy]

This is amazing

[Purple Moon]

9. In Rock & Folk magazine, former Red Hot Chili Peppers guitarist John Frusciante even credited Brandy?s vocals as his inspiration.
In Rock & Folk magazine, former Red Hot Chili Peppers guitarist John Frusciante even credited Brandy's vocals as his inspiration.

tf!

omfffff you should see what he said about her backgrounds and layers

I just love the songs that Timbaland did on this album. Again, being such a student of backing vocals... she's doing something different; she's doing so many vocals that there's never a space. Whenever one voice stops, another one does something in it's place - there's very little space and there are so many vocal parts that are breathy, you don't know what you're listening to. Ther's so much going on, you can't hear them with your conscious: you have to hear her voice with your subconscious. Even as a backup vocalist with a keen ear, I can't hear where one part's starting and one's ending because they're all overplaying all over the place. Some of them have a watery sound, then metallic; she really creates a lot of dimension with her vocals, and Timbaland's production does stuff that's very avant-garde, very abstract and yet, in this context of pop music, I'm impressed with that. Noise in a pop context is sucha beautiful thing to see.

thank you!!